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Archive for the ‘Creative’ Category

Crowds need a leader

Wednesday, June 9th, 2010

This month’s Admap magazine is all about the “Wisdom of crowds” and examines how brands have successfully harnessed the creative power of their consumers to not only generate compelling creative work, but to get those same consumers to engage with, spread and evolve the dialogue that the brand had started. There are some interesting case studies in there and it is definitely worth a look if you have a copy floating around your office.

The thing is, for a lot of us in the media industry, we don’t need to be told of the benefits of crowd sourcing and user generated content, we need to be warned about rushing in headlong and just getting it wrong. Best case scenario is that you waste a lot of time and effort, worst case is that you actually damage brand perceptions and are seen as “Dad at the disco”

Today however I saw this which is a really useful example of how to get it right.

This is part of cmon and kypski’s One Frame of Fame project and it is one of the most engaging and entertaining pieces of crowdsourced content I have ever seen (Thanks to Chris Stephenson for the inspiration)

So what makes this so engaging and natural and fun when so many crowd sourcing attempts feel forced and awkward and naff? for an example of the latter see the T-mobile “Josh’s Band” effort

I think that there are a few rules that we can learn from the contrast of these two musical collaborations.

1) Crowds need leadership – you can’t expect them to just come up with a mind blowing concept just out of the blue. In Kypski’s video, the band give quite a prescriptive brief as to what is required if you want to get in their video. This give people clear parameters to work within and so they can pre-judge their own efforts according to those criteria

2)Thinking outside of the box first requires a box. If you ask people to come up with crazy and innovative ideas they are often paralysed by the potential choice of what they could do and so end up doing nothing. If instead you apply constraints to that choice it is easier for them to access their own creativity within set parameters. Small rebellions from those parameters will also then potentially lead to something that is innovative, clever, but most importantly usable. The human mind is its most innovative when presented with a problem to overcome. When you remove all barriers you remove the need to innovate.

3) Keep it simple – I shouldn’t have to point this one out, but it is amazing how often brands start to complicate matters when they are trying to generate consumer involvement. The barriers to entry must be so low as to be invisible otherwise they won’t bother. Don’t make the mistake of thinking that they are dying to get involved with your brand campaign, they are not and they will only get involved if it is easy and fun.

4) Allow them to engage on their terms – Just because you’ve got a facebook page or a microsite or a twitter feed that you want populating doesn’t mean that your consumer wants to engage in that way. Maximise the options for them and worry about the aggregation later.

I’m sure there are lots more to think about, but if more campaigns stuck to just these rules they may well be significantly more effective.

Vizeum take home a clear channel award!!

Monday, June 7th, 2010

A great night for Vizeum, when coca-cola planners proudly stepped up to collect the award for the best use of multiple formats in outdoor. in an age where the media industry is quick to reward the frills and furbelows of ‘trans-media planning’, it was refreshing to see the panel of judges appreciate the creativity and holistic city-by-city planning that went into our single channel strategy.

See the headlines from our award winning entry below…and keep your eyes peeled for chapter 2 in the summer months of 2010!!

Glaceau vitaminwater

Out of nine simultaneous launches, Coca-Cola awarded the UK ‘best territory landed’; our work is now regarded globally as a best practice product launch.

We never compromised. In a recessionary climate we convinced Coca-Cola to not only increase media spend, but to invest 14% against special production, to ensure everything we did stood out. 

We challenged traditional perceptions, using a city by city multi format approach that transformed OOH from a sit-back into a sit-forward medium

Objectives

 1. To increase brand awareness by 50% (40%-60%)

Our main KPI on which first-year success would be gauged  was to build awareness of the brand and its visual identity.

2. To make vitaminwater famous (with a 2012 ambition to be the Coca-Cola of still drinks)

Every activity had to be tailored or special, in line with the brand’s mantra of never compromising and never being ordinary.  we needed maximum stand out across the summer  months, whilst at the same time  communicating the brand’s 24/7 relevance. (each variant is designed to meet a different consumer needstate).

3. To support a demanding distribution model and drive ROS

Our role was to support the ‘all or nothing’ approach with retailers strategy by showing both the range and individual variants in our advertising, encouraging consumers to try more than one flavour, as well as reassuring the trade that this was a highly visible, ground breaking campaign. 

Target audience

We challenged our brief to reach students and 18-34 urbanites, and the brand team embraced our thinking. vitaminwater has an appeal that extends beyond demographics – it appeals to a creative mindset, a community of people who share a common insight – the fear of being ordinary. they’re cynical, digitally savvy, demanding, connected; wanting experiences on their own terms, making the most of everything, every time, everywhere. they are light TV viewers spending a lot of time out-of-home, therefore from the outset we knew we needed to build a brand out-of-home through the power of conversations as opposed to standard broadcast activity.

Insight & strategy

To enforce the above, we adhered to three media behaviours. 

  • innovation: category leadership meant being brave,  doing things first and defending our right to be ‘special’
  • ubiquity: an iconic visual identity with sufficient coverage was essential to establish cut-through
  • cultural resonance: to create fame and ‘earned’ time with our consumers, we needed a strong, positive brand story that met their needs and reinforced their identity.

From the outset, we could satisfy retailers with OOH communications to familiarise customers with the brand.  however, to radically challenge our category, we needed to go beyond stature and impact. we needed to make it work harder, transforming it into a sit forward medium and implementing interactive, crowd-sourced and community-led creative.

Twittering in my…. Ford?!

Wednesday, May 12th, 2010

Social media in cars…from the BMW team.

Ford has unveiled technology that could allow drivers to use Twitter, stream online radio and search the web from behind the wheel. Revealed at the Consumer Electronics Show in Las Vegas, Ford have declared their intention to bring all the applications currently available in mobile phones into the car, hands-free and voice activated.

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Exciting…if a little distracting.

Some of the apps include Wi-Fi connectivity for up to five users in the car, text messages or tweets read aloud to drivers, and the ability to stream internet radio. Voice recognition could also allow drivers to compose and upload tweets, although safety concerns rule this out on early models. As well as entertainment and phone controls, drivers will be able to operate the temperature and sat-nav through touch-sensitive buttons and screens, thumb-wheel controls and voice recognition.

The layout inside the car is retained, but drivers will be able to personalise the way they see information on two 4.2-inch full-colour LCD screens either side of the speedometer and a larger screen at the top of the centre console, viewing anything from personal photos, a combination of music, climate and traffic information or personal data from a usb stick.

See a video demonstration here: http://neuronspark.com/videos/pandora-and-twitter-in-your-car/

While theoretically a long way off from the average UK motorway and high street, this is a thrilling step for communications, and a great opportunity for advertisers. Not only is it further evidence of convergence speeding up, if it comes to mainstream fruition it will offer huge insight into modal targeting. Knowing where a consumer is, what media they are consuming and how they are feeling (through social media) is the ultimate dream for communications agencies, and will allow us to refine even further the right message in front of the right person at the right time.

Developers just need to make sure the technology is as easy to switch off as to switch on – because whilst this connectivity delivers immediate tangible consumer benefits, we know from our experience with BMW that it is just as important for drivers to escape from the outside world; to switch off and experience the JOY of driving without interruption.

And a semi-sentient car might have other ideas.